june 2004 issue

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heptalogy honors eclipse

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A random encounter found us in downtown Little Rock, anticipating a performance of Holst's "The Planets" by the  Arkansas Symphony Orchestra .  The much-anticipated event included a vocal cameo from the University of Arkansas - Little Rock Women's Choir.  An evening of colorful sound began with "Night Ferry" by Anna Clyne , exploring the extremes of manic depression.   The chaotic range of emotional intensities seemed to leave the audience in a state of bewildered fascination. After an intermission wide enough to refresh mind and body, "The Planets" by Gustav Holst exploded in the mind's eye next.  This particular space heptalogy is likely one of the most recognizable symphonies, enjoyed through a variety of inspirations like the score from Star Wars.  The choir entered near the end, perhaps at Neptune, blending in imperceptibly with the violins and their accompaniment.   Their voices appeared as if by magic from behind the sc
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eclipsed eclipse

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The solar eclipse viewing from Arkansas turned out to be a huge non-event.  Once again, the media hyped the situation beyond all recognition, forecasting unmanageable crowds, snarled traffic, and a shortage of resources.  None of this happened or would have happened.  It just does not work that way, no matter how badly the media wants it.  Some got caught in their trap though. Many communities braced for the onslaught, along with the Arkansas Department of Transportation and Highway Patrol, with extra staffing and amenities for customers that never materialized.  Churches and community organizations within the path of the eclipse brought in food trucks, cooked up their food for sale, and blocked off parking lots so that they could charge for parking.  Large towns benefited, but the smaller towns were left wondering where everyone had gone to.  Regardless, we walked away with a few good shots of the sun and enjoyed an uncrowded afternoon with friends and family. 
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d returns to the jam

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  The Saturday Open Jam has been missing from our agenda for quite some time now.  It is one the best ways to burn up a Saturday afternoon in Kansas City, listening to some of the best rock and blues musician in town.  This particular occasion featured the return of a longtime resident of the event who had been off the roster for more than year following multiple personal crises, one of which nearly ended his ability to perform at all.  Taking his spot behind the drums once again for a couple of tunes, "D" picked up right where he left off, keeping cadence as if nothing had ever happened.  There were tears among some of the crowd that were closer to him, understanding the extent of his dilemma.  After playing, he admitted stumbling a few times, but everything sounded great from our side of the stage and we look forward to seeing him play again more often.
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