august 2004 issue

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d returns to the jam

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  The Saturday Open Jam has been missing from our agenda for quite some time now.  It is one the best ways to burn up a Saturday afternoon in Kansas City, listening to some of the best rock and blues musician in town.  This particular occasion featured the return of a longtime resident of the event who had been off the roster for more than year following multiple personal crises, one of which nearly ended his ability to perform at all.  Taking his spot behind the drums once again for a couple of tunes, "D" picked up right where he left off, keeping cadence as if nothing had ever happened.  There were tears among some of the crowd that were closer to him, understanding the extent of his dilemma.  After playing, he admitted stumbling a few times, but everything sounded great from our side of the stage and we look forward to seeing him play again more often.
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shadowrunner april 2006 trance

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Spring is here and the world is emerging from it's winter slumber. Not only will the temperatures start to heat up, but so will the activity in the electronic music community. Fresh music from artists that were waiting to drop the new hotness at WMC will be out and ready for mass consumption. Dance floors are hungry for the latest tracks to fuel the frenzied masses of clubbers and party patrons. Soon enough the outdoor festival season will be upon us. I hope to see everyone out on the dance floors with much love and respect. Until then, please enjoy the picks and peace and safe journeys to all. April Featured Artist: Markus Schulz I won't waste your time by explaining to you how this man simply ROCKS!!! Artist/Remixer/DJ, is what we call a triple threat. Take the time out to find out more by visiting:  MarkusSchulz.com  or  ArmadaMusic.nl April CD Pick: Global Underground: Shanghai Nick Warren Besides being one of my idols, Nick Warren is one of the most respected
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heptalogy honors eclipse

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A random encounter found us in downtown Little Rock, anticipating a performance of Holst's "The Planets" by the  Arkansas Symphony Orchestra .  The much-anticipated event included a vocal cameo from the University of Arkansas - Little Rock Women's Choir.  An evening of colorful sound began with "Night Ferry" by Anna Clyne , exploring the extremes of manic depression.   The chaotic range of emotional intensities seemed to leave the audience in a state of bewildered fascination. After an intermission wide enough to refresh mind and body, "The Planets" by Gustav Holst exploded in the mind's eye next.  This particular space heptalogy is likely one of the most recognizable symphonies, enjoyed through a variety of inspirations like the score from Star Wars.  The choir entered near the end, perhaps at Neptune, blending in imperceptibly with the violins and their accompaniment.   Their voices appeared as if by magic from behind the sc
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